"Final Ice Factory Festival At New Ohio Theatre To Conclude 30-Year Run" on Broadway World
"Ice Factory 2023 features seven new works over seven weeks, June 28 - August 12, at New Ohio Theatre.
The Obie Award-winning New Ohio Theatre has announced that it will conclude its acclaimed 30-year run with the last ever Ice Factory Festival"
"July 26 - 29 gerstl took the easy way ou. Written by Lydia Blaisdell, directed by Ashley Olive Teague, and developed and produced with Notch Theatre Company.
Vienna, 1908, Mathilde's hubby & lover are threatening to hang themselves again (they can't live without her cu**). A comedy exploring/exploding Schönberg's wife's desire featuring ladders, tarps, a tiny piano, and a chorus."
The cast includes Amy Staats, Marcel Mascaro, Nikomeh Anderson, Anita Castillo-Halvorssen and more. The production team includes Carin Jennie Estey (Associate Producer & Production Manager), Bruno-Pierre Houle (Scenic), Susanne Houstle (Costumes) and Jenny Kennedy (Stage Manager)."
The Obie Award-winning New Ohio Theatre has announced that it will conclude its acclaimed 30-year run with the last ever Ice Factory Festival"
"July 26 - 29 gerstl took the easy way ou. Written by Lydia Blaisdell, directed by Ashley Olive Teague, and developed and produced with Notch Theatre Company.
Vienna, 1908, Mathilde's hubby & lover are threatening to hang themselves again (they can't live without her cu**). A comedy exploring/exploding Schönberg's wife's desire featuring ladders, tarps, a tiny piano, and a chorus."
The cast includes Amy Staats, Marcel Mascaro, Nikomeh Anderson, Anita Castillo-Halvorssen and more. The production team includes Carin Jennie Estey (Associate Producer & Production Manager), Bruno-Pierre Houle (Scenic), Susanne Houstle (Costumes) and Jenny Kennedy (Stage Manager)."
"Not Another Memory Play: Remember2019" on HowlRound
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The Remember2019 Collective (Left to Right: Teague, Salgado, Brown, Sirah, Arboleda). Photo by Yazmany Arboleda.
Read the full essay here. And click here to learn more about Remember2019.
Broadway World: "Ashley Teague and Susana Plotts-Pineda Join CoLAB Arts 2021 Cohort For New Brunswick Artist Residency." |
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by BWW News Desk on Dec. 2, 2020
"coLAB Arts has announced the 2021 cohort for its New Brunswick Artist Residency. These incredible social practice and socially-engaged artists will be working over the next year with and in service to local organizations and communities through oral history, workshop facilitation, studio practice, and socially engaged art making. Artist and organization pairings include: Daniela Ochoa-Bravo and Susana Plotts-Pineda in collaboration with Unity Square Neighborhood Revitalization Project and Rutgers University, Osimiri Sprowal in collaboration with SHELTER (shelternj.org) and Mercado Esperanza (mercadoesperanzanb.org), Ashley Teague and Notch Theatre Company in collaboration with Reformed Church of Highland Park - Affordable Housing Corporation (RCHP-AHC), and Jody Wood in collaboration with Elijah's Promise. These residencies are supported in part by an award from the National Endowment for the Arts, the Henry Luce Foundation, the Kresge Foundation, and a Rutgers University Research Council grant."
Click here to learn more about the program.
HowlRound's Theatre in the Age of Climate Change series featuring Wild Home
(formerly Too Wild To Drill)
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"The project strives to create a national discourse as it takes an epic journey through fifteen rural communities across the United States and documents a pivotal moment in America—a moment we may look back on for generations to come as we evaluate the consequences of the current administration’s re-zoning a record number of public lands to the oil and gas industry."
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And learn more about Wild Home in this Broadway World interview between the creators.
"Rural communities have historically been a big part of social justice movements, recall those areas of Mississippi and Alabama that motivated the civil rights movement. [these communities] deserve our support, our championing, our partnership, and ultimately we are better for bearing witness and listening deeply to all they have to say and teach us."
Natalie Rine, Associate New York Critic, reviews
Anna Karenina: a riff
"One of the best new musical scores I’ve heard all year"
"I would without doubt drudge through the snow of Siberia to see this musical again."
"The subtly with which this beauty hits you between the waves of wit and hilarity cannot be praised enough."
"Notch’s production electrifies as a rollicking, fresh investigation of Tolstoy’s classic novel, bursting with a folk-rock score that pokes and prods at the consequences of female rebellion, bringing bold new questions into an arresting, quasi-contemporary conversation on the role of women in families, communities, and countries. [...] Paired with Ashley Teague’s inventive direction, this small but strong production is a declaration of Notch Theatre Company’s visceral, scintillating point of view that is a force to be reckoned with as even the best of current day Broadway’s appeal to address modern themes pales in comparison"
Plus read about the creative process in this Broadway World interview with the director, writer & composers.
The Flea Theater awards Notch as one of their 2020 Anchor Partners.
"The Flea Theater announces its winter 2019-2020 Anchor Partners, an initiative designed to support small independent theater, music and dance companies. This season, The Flea welcomes companies Tiffany Mills Company, Elisa Monte Dance, Notch Theatre Company, Gabrielle Revlock, The Bang Group and TOSOS." Read the full article on Broadway World.
"Prototyping Cultural Democracy" by Arlene Goldbard, Chief Policy Wonk at the U.S. Department for Arts and Culture.
“We believe that culture influences policy” ... “Therefore, it is our responsibility to reframe our cultural narrative so that it inspires just policies. This project begins by recognizing a history that was intentionally devalued and disposed of in order to entrench a normative white supremacist culture. In order to do that, this project will embody equity and participation by prioritizing the leadership, stories, and talents of community members that have been historically ignored. Our model is flexible, scaleable and nimble enough to adapt to the specific context and goals of the community, while still based in well-researched frameworks and proven methodologies.” Read the full article here.
“We believe that culture influences policy” ... “Therefore, it is our responsibility to reframe our cultural narrative so that it inspires just policies. This project begins by recognizing a history that was intentionally devalued and disposed of in order to entrench a normative white supremacist culture. In order to do that, this project will embody equity and participation by prioritizing the leadership, stories, and talents of community members that have been historically ignored. Our model is flexible, scaleable and nimble enough to adapt to the specific context and goals of the community, while still based in well-researched frameworks and proven methodologies.” Read the full article here.
See Monument Lab's four part series on Remember2019 where the creators discuss vision and values, process, aesthetics, and impact.
This program is the recent recipient of a NET Exchange grant and a Map Fund grant.
To learn more visit remember2019.org
To learn more visit remember2019.org
N Magazine exposé on FIT:
"...that same eugenics language and thinking is present in our current national dialogue around immigration. [...] This storyline, in conversation with the life of Carrie Buck, asks audiences to think about their proximity to the Intellectual Disablity community and how that community contributes to the diversity of a nation. [...] How are we, as a society, supporting spaces for inclusion?"
Project CHQ: In the summer of 2016 and 2017 Notch developed the CHQ Engagement Project. Commissioned by Chautauqua Theater Company, the CHQ project puts local Chautauqua community stories on stage.
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"I had the opportunity to experience the 'CTC After Dark' performance on July 26, dramatizing what Chautauqua is, was and will be, depending on one’s own personal experience, amidst the collective experience. Bravo! I had never been part of a 'Community Engagement Experience' before, and I most certainly hope it will not be my last! The stories told were rich and poignant, making clear that the Chautauqua experience is as unique as those who participate – those who have participated and those who have yet to make Chautauqua their own. The show was brilliantly conceived and incredibly acted. A special congratulations to Ashley Teague, who hit this one out of the park!" --The Chautauquan Daily
Article about the 2017 CHQ Project. Article about the 2016 CHQ Project. |
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Brown Daily Herald:
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"The play is not easy to describe — nor should it be. At its most basic level, the show is a series of intersecting vignettes that trace the ethereal identity of a figure the characters hold to a near-mythological status. At its loftiest, it is a scathing critique of the way American society treats Muslims and other marginalized communities."
