Providing a platform for communities to tell their real stories on stage.
There is a cultural deficit in this country. When the civil liberties of historically underrepresented groups continue to face serious threat and our nation is stalled in an ever-polarizing inability to engage in productive dialogue, we artists and cultural workers must engage communities to which we might not normally find ourselves in proximity, to excavate the barriers standing between us, to address community concerns with artistic ferocity, with bold questions and daring choices, and to provoke audiences with questions (old and new) about who is given access to our nation’s promise of opportunity and who is being systematically shut out.
By collaborating with communities across the nation to tell their real stories on stage, Notch engages folks that brick and mortar theaters are not reaching, personalizes important social issues for people on all sides of a conversation, raises awareness in a compelling way, drives change on a national scale, and prompts meaningful, lasting engagement at a grass-roots level.
Theater is able to connect with an audience in a deeply personal way, and we strive to push the boundaries of what that connection can achieve.
THERE IS NO GREATER AGONY THAN BEARING AN UNTOLD STORY INSIDE YOU."
- Maya Angelou
click here for a calendar of programming
Notch joins Mauricio Salgado, Arielle Julia Brown and Carlos Sirah along with community partners The Delta Cultural Center, The Elaine Legacy Center, and the Boys, Girls, and Adults Community Development Center for Remember2019.
Remember2019 is an effort to make space for the congregation of the Black communities of the Arkansas Delta. Our work is to support and facilitate local practices of self-determination, memory, and reflection, that are directly related to the mass lynching of 1919, the lasting effects of racial terror, and the current and future health of these communities. Remember2019 has been awarded a prestigious MAP Fund grant, profiled by the U.S. Department of Arts and Culture, invited to speak at NPN's annual conference, USDAC's Citizen Artist Salon, and at the Children’s Defense Fund & Samuel Dewitt Proctor Institute.
In this fresh adaptation of Anna Karenina by Gwen Kingston, Russians play melodicas to an original, folk-punk score. Set in 1880s Russia and dripping with Eastern European ennui, our comedic reimagining of the classic tale moves at the speed of a runaway train as it examines the consequences of female rebellion and its echoes today.
"Notch’s production electrifies as a rollicking, fresh investigation of Tolstoy’s classic novel, bursting with a folk-rock score that pokes and prods at the consequences of female rebellion, bringing bold new questions into an arresting, quasi-contemporary conversation on the role of women in families, communities, and countries. [...] this small but strong production is a declaration of Notch Theatre Company’s visceral, scintillating point of view that is a force to be reckoned with as even the best of current day Broadway’s appeal to address modern themes pales in comparison" Read the full review here and read an interview with the makers here.
FIT, conceived by Marina Morrissey and written by Gwen Kingston, follows the story of Carrie Buck who in 1927 was the test case for a Supreme Court ruling allowing the forcible sterilization of women deemed “feeble-minded.” A ruling that has never been overturned. In a contemporary storyline, Don and June, who have Down Syndrome, want to have a baby. June’s mother is taking her to court because she believes her daughter isn’t equipped to raise a child. She is not “FIT.” FIT was developed in partnership with members of the Intellectual Disability Community and premiered at White Heron Theatre on Nantucket, was presented at La Mama Studios in NYC, and with Trinity Rep (in collaboration with Spectrum Ensemble) in Providence, RI. Read N Magazine's article on the Nantucket production.
Notch is collaborating with Jessica Kahkoska for Wild Home, which takes an odyssey across rural America, traveling to 15 rural communities identified by The Wilderness Society as under tremendous threat for oil, gas, and mineral extraction on public lands.
In each community, we develop a series of plays- through public storytelling events- to be performed by community and professional actors in outdoor, wilderness spaces.
The program is currently collaborating with the community of the Wayne National Forest in Ohio.
The program was awarded a creative residency in Montana with the Taft-Nicholson Center, a Travel and Exchange Grant from Network of Ensemble Theaters and has been featured on HowlRound. and on BroadwayWorld.
Long ago, long ago. The simple things come back to us. They rest for a moment by our ribcages then suddenly reach in and twist our hearts a notch backward."
- Let the Great World Spin
thank you to our supporters.
- Drew McCoy & Amy Aquino -
- Jon Neustadter -
- Bill & Chloe Cornell -
- Jennifer & Matthew Rowland -
- Byron Gross & Ricky Tovim -
- Colin & Cathy Walker -
- Stuart and Susan Berton -
- Tali Pressman -
- Mauricio & Cindy Salgado-
- Bob & Toni Teague -
- Jody Wagner -
- Tracy Nayer -
- Sabrina Sikes Thornton -
- Kimberly & Clay Clement -
- The Loewenthals -
- Hurwitz Creative -
- Brown University/Trinity MFA Program -
- Look What She Did! -
- Enfamilia Inc. -
- JKW Foundation -
© Notch Theatre Co. 2018